Xah's Classical Keyboard Music Listing
Xah Lee, 1997
This page is a list of some piano music i've listened, along with their midi files are collected here. This list is compiled in the early 1990s, and this webpage is created during 1997. I haven't updated it since. The original intention of compiling this list is for self study of classical music, and also a personal rating for each piece.
The composers are ordered by their birth year.
Bach and
Liszt
have their own page.
The midi files are either public domain, or the author has granted permission for public use. (however, later in this project of collecting midi files during 1998, i may have slacked. If a midi file is yours and you wish to be removed, please let me know.)
Keyboard Music Listing
- 1626‒1661 Francois Couperin?
- L'Arlequine 〚✰✰✰〛
- Les Folies Francaises/les Dominos 〚✰✰?〛
- L'Ame en Peine (the sorrowful soul) 〚✰?〛
- 1668‒1733 François Couperin nephew of Louis Couperin, best known for four books of harpsichord 1713-30,The Art of Playing the Harpsichord, good expression of French Rococo style
- Les Fastes de la grande et ancienne (5 pieces) - Mxnxstrxndxsx 〚✰✰✰✰〛
- 1675?‒1741 Vivaldi
- The Four seasons—“Presto” from “Summer”. (⦃2:40⦄) 〚✰✰✰✰〛
- 1683‒1764 Jean-Philippe Rameau
- Le appel des Oiseaux
- La dauphine, ⦃4:21⦄
- Menuets, ⦃3:35⦄
- La Cupis, ⦃6:35⦄
- La Liri, ⦃2:28⦄
- L'Entretien des Muses, ⦃5:41⦄
- Les Sauvages (savages) 〚✰✰✰✰〛, ⦃2:27⦄
- L'Enharmonique, ⦃4:45⦄
- Les Cyclopes 〚✰✰✰✰〛
- Suite ⦅A⦆
- Allemande, ⦃6:33⦄
- Courante, ⦃3:22⦄
- Sarabande, ⦃3:23⦄
- Les Trois Mains, ⦃3:53⦄
- Fanfarinette, ⦃2:53⦄
- La Triomphante, ⦃1:40⦄.
- Gavotte avec six doubles 〚✰✰✰✰〛
…
- 1685‒1757 Domenico Scarlatti famous for his approx. 555 sonatas
- K191, ⦅Dm⦆ 〚✰〛
- K203, L.380, ⦅Em⦆ 〚✰〛
- K208-9, in A 〚✰✰?〛
- K234, L49 ⦅Gm⦆ 〚✰〛1
- K337-8, L.sup.26/L87, ⦅GM⦆ 〚✰〛
- K380, ⦅EM⦆ 〚✰✰✰〛
- K418-9, L.26/L279, ⦅FM⦆ 〚✰✰〛
- K447, L.290, ⦅GM⦆ 〚✰〛
- K532-3, L223/L395 in A m/M 〚✰✰✰✰〛
- K534-5, L11/L262, ⦅DM⦆ 〚✰✰✰〛
- K546-547, L312/L.sup.28, 〚✰✰〛
- 1685‒1759 George Frideric Handel
- Suites for Keyboard 〚✰✰✰✰〛
- Simplity.
- HWV452, ⦅Gm⦆
- HWV447, ⦅Dm⦆
- HWV440, Suites II/№7, ⦅B♭M⦆
- HWV433, Suites I,№8, ⦅Fm⦆
- HWV427, Suites I,№2, ⦅FM⦆
- HWV429, Suites I,№4, ⦅Em⦆
- I Fuga, ⦃3:37⦄ 〚✰✰✰✰✰〛,II,III,IV,V
- HWV426, Suites I,№1, ⦅AM⦆
- I Prelude, ⦃2:31⦄ 〚✰✰✰✰✰〛
- 1689‒1755 Joseph Bodin De Boismortier
- La Puce (Piece en rondeau)
- 17--?---- F.D. Mouchy
- La Mort De Louis XVI (1794) 〚✰✰✰✰〛
- 1714‒1788 Carl Philipp Emmanuel Bach
- Les Folies D'espagne 〚✰?〛
- Ann.122-125: (polonaise, march, and minuets) 〚✰✰✰✰〛
- 1727‒1799 Claude Balbastre
- La Malesherbe (Ariette Gracieuse) 〚✰✰✰〛
- La D'Esclignac 〚✰✰✰〛
- Marche Des Marseillois et L'Air Ça IRA; The March of Marseillais and the air Ça ira 〚✰✰✰〛
- 1729‒1783 Antonio Soler
- Sonata №117 ⦅Dm⦆ 〚✰✰?〛
- M.13, Sonata ⦅B♭M⦆, ⦃5:40⦄, 〚✰✰+〛
- M.8, Sonata ⦅Dm⦆, ⦃4:30⦄, 〚✰✰✰-〛
- M.1a, Fandago., ⦃11:15⦄ 〚✰✰✰✰〛
- 1732‒1809 Franz Josef Haydn
- Symphony №101, “The Clock” ?
- 1734‒1794 Jean Jacques Beauvarlet-charpentier
- Marche des Marseillois Avec Variations (Variations of the March of Marseillais) 〚✰✰✰〛
- 1749‒1801 Domenico Cimarosa simple melody, elegant, graceful harpsichord style. generally good, I think
- Sonata ⦅Dm⦆ 〚✰✰✰✰〛
- Sonata ⦅Cm⦆ 〚✰✰✰〛
- Sonata ⦅GM⦆ 〚✰✰✰〛
- 1752‒1832 Muzio Clementi
- Sonata Quasi Concerto, Op.33, №3 (⦃21:35⦄)
- Sonata, Op.34, №2 (⦃21:44⦄)
- Sonata, Op.14, №3 (⦃13:51⦄)
- Sonata, Op.26, №2 (⦃11:34⦄)
- Rondo (Sonata, Op.47, №2) (⦃3:34⦄)
hammer-clavier Beethoven
- 1770‒1827 Ludwig van Beethoven
- Piano Sonata
- №01, ⦅Fm⦆, Op.2№1: I ⦃3:34⦄ 〚✰✰✰-〛, II ⦃4:34⦄, III ⦃2:59⦄ 〚✰✰〛, IV ⦃4:48⦄ 〚✰✰✰-〛
- №02, ⦅AM⦆, Op.2№2: I ⦃7:06⦄ 〚✰✰〛, II ⦃6:52⦄, III ⦃3:12⦄, IV ⦃6:50⦄
- №03, ⦅CM⦆, Op.2№3: I ⦃10:11⦄, II ⦃6:51⦄ Adagio 〚✰✰✰✰-〛, III ⦃3:21⦄, IV ⦃5:41⦄
- №04, ⦅E♭M⦆, Op.7: I ⦃8:30⦄, II ⦃8:58⦄, III ⦃5:27⦄, IV ⦃7:37⦄
- №05, ⦅Cm⦆, Op.10№1: I ⦃5:44⦄, II ⦃9:02⦄, III ⦃4:20⦄
- №06, ⦅FM⦆, Op.10№2: I :21, II ⦃4:51⦄, III ⦃3:49⦄
- №07, ⦅DM⦆, Op.10№3: I ⦃6:53⦄, II ⦃8:27⦄ 〚✰✰✰〛, III ⦃2:45⦄, IV ⦃4:08⦄
- №08, ⦅Cm⦆, Op.13 (Pathetique): I, II, III 〚✰✰✰✰〛
- №09, ⦅EM⦆, Op.14№1: I ⦃7:24⦄, II ⦃3:36⦄, III ⦃3:33⦄
- №10, ⦅GM⦆, Op.14№2: I ⦃7:54⦄, II ⦃5:28⦄, III ⦃3:49⦄
- №11, ⦅B♭M⦆, Op.22: I ⦃7:21⦄, II ⦃6:40⦄, III ⦃3:21⦄, I ⦃6:27⦄
- №12, ⦅A♭M⦆, Op.26 : I ⦃8:39⦄, II ⦃2:59⦄, III (Funeral March) ⦃5:30⦄ 〚✰✰✰✰〛, IV ⦃3:18⦄
- №13, ⦅E♭M⦆, Op.27№1: I ⦃4:36⦄, II ⦃2:00⦄, III ⦃2:48⦄, IV ⦃5:54⦄
- №14, ⦅C♯m⦆, Op.27№2 (Moonlight): I ⦃6:03⦄, II ⦃2:25⦄, III ⦃7:31⦄ 〚✰✰✰✰〛
- №15, ⦅DM⦆, Op.28 (Pastoral): I ⦃10:41⦄, II ⦃6:48⦄ 〚✰✰✰〛, III ⦃2:17⦄, IV ⦃5:21⦄
- №16, ⦅GM⦆, Op.31№1: I ⦃6:22⦄, II ⦃9:46⦄, III ⦃7:00⦄ 〚✰✰✰✰?〛
- №17, ⦅Dm⦆, Op.31№2 (Tempest): I ⦃9:00⦄ 〚✰✰✰〛, II ⦃7:58⦄ 〚✰✰〛, III ⦃6:34⦄ 〚✰✰✰✰〛
- №18, ⦅E♭M⦆, Op.31№3 (The Hunt): I ⦃9:14⦄, II ⦃5:27⦄, III ⦃4:28⦄, IV ⦃4:07⦄
- №19, ⦅Gm⦆, Op.49№1: I ⦃4:31⦄, II ⦃3:35⦄
- №20, ⦅GM⦆, Op.49№2: I ⦃4:48⦄, II ⦃3:53⦄
- №21, ⦅CM⦆, Op.53 (Waldstein): I ⦃9:54⦄ 〚✰✰✰〛, II ⦃3:55⦄ 〚✰✰〛, III ⦃9:42⦄ 〚✰✰✰✰〛
- №22, ⦅FM⦆, Op.54: I ⦃6:09⦄, II ⦃6:23⦄
- №23, ⦅Fm⦆, Op.57 (Appassionata): I ⦃9:45⦄, II ⦃7:00⦄, III ⦃8:51⦄ 〚✰✰〛
- №24, ⦅F♯M⦆, Op.78 (For Thérèse): I ⦃7:41⦄, II ⦃2:53⦄
- №25, ⦅GM⦆, Op.79: I ⦃4:43⦄, II ⦃2:38⦄, III ⦃1:57⦄
- №26, ⦅E♭M⦆, Op.81a (Les Adieux): I ⦃7:06⦄, II ⦃3:43⦄, III ⦃5:44⦄ 〚✰✰✰-〛
- №27, ⦅Em⦆, Op.90: I ⦃5:48⦄, II ⦃8:17⦄
- №28, ⦅AM⦆, Op.101: I ⦃4:14⦄, II ⦃6:14⦄, III ⦃2:59⦄, IV ⦃8:14⦄
- №29, ⦅B♭M⦆, Op.106 (Hammerklavier): I ⦃11:42⦄, II ⦃2:39⦄, III ⦃19:36⦄ 〚✰✰✰+〛, IV ⦃12:13⦄
- №30, ⦅EM⦆, Op.109: I ⦃3:55⦄ 〚✰✰✰✰〛, II ⦃2:30⦄ 〚✰✰✰〛, III ⦃13:34⦄
- №31, ⦅A♭M⦆, Op.110: 〚✰✰✰✰〛 I ⦃6:50⦄, II ⦃1:43⦄, III ⦃10:37⦄ 〚✰✰✰✰〛
- №32, ⦅Cm⦆, Op.111: I ⦃9:01⦄ 〚✰✰✰✰〛, II ⦃17:19⦄ 〚✰✰✰✰〛
- Piano Concerto
- №2 ⦅B♭⦆, Op.19.
- ⦃14:37⦄, ⦃9:21⦄, ⦃6:42⦄.?
- №3 ⦅Cm⦆, Op.37 〚✰✰✰?〛
- №4 ⦅GM⦆, Op.58 ?
- №5 “Emperor” 〚✰✰✰✰〛
- I ⦃20:38⦄, II ⦃8:06⦄, III ⦃11:00⦄ 〚✰✰✰✰〛
- Six Bagatelles, Op.126 〚✰✰✰〛
- Diabelli Variations (33 variations in C/Waltz/Anton Diabelli), Op.120 〚✰✰?〛
- Eroica Variations, 15 variations and fugue in E flat, Op.35 〚✰✰〛
- WoO59: Bagatelle ⦅Am⦆, (For Elise) 〚✰✰✰〛
- WoO80: 32 Variations ⦅Cm⦆, ⦃10:30⦄ 〚✰✰✰〛
- WoO83: 6 Ecossaises 〚✰✰✰〛
- WoO507: Andante favori, ⦅FM⦆, ⦃9:45⦄
- 1782‒1837 John Field
- 1782‒1840 Niccolo Paganini
- 24 Caprices for solo violin, Op.1, 〚✰✰?〛
- 1786‒1826 Carl Maria von Weber
- Invitation to the dance, ⦃7:24⦄ 〚✰✰✰✰〛
beautiful Schubert
- 1797‒1828 Franz Schubert
- Gretchen am Spinnarade ? Erlkonig ? Die schone Mullerin (Fair Maid of the Mill ?, Die Winterreise (The Winter's Journey) ?, Schwanengesang (Swang Song) ?)
- D.145. 12 Waltzes, ⦃10:55⦄.
- D.760. Wanderer Fantasy (op.15)
- ⦃6:12⦄, ⦃7:30⦄,⦃4:29⦄, ⦃3:26⦄ 〚✰✰✰〛
- D.780. Moments Musicaux. Op.94 〚✰✰〛
- 1 ⦅CM⦆ ⦃5:38⦄, 2 ⦅A♭M⦆ ⦃5:55⦄, 3 ⦅Fm⦆ ⦃1:54⦄, 4 ⦅C♯m⦆ ⦃5:40⦄, 5 ⦅Fm⦆ ⦃2:06⦄, 6 ⦅A♭M⦆ ⦃8:56⦄
- D.783. 16 German Dances, ⦃11:03⦄ 〚✰✰〛
- D.784. Piano Sonata ⦅Am⦆, Op.post. 143.
- I ⦃13:27⦄ 〚✰✰✰✰〛, II ⦃4:35⦄ 〚✰✰〛, III ⦃5:41⦄ 〚✰✰〛
- D.817. Hungarian Melody ⦅Bm⦆, ⦃3:24⦄. 〚✰✰✰✰〛
- D.840. Piano Sonata in C 〚✰✰〛
- D.850. Piano Sonata ⦅DM⦆, Op.53. 〚✰✰✰〛
- I ⦃9:23⦄, II ⦃11:53⦄, III ⦃9:00⦄, IV ⦃9:00⦄
- D.894. Piano Sonata ⦅GM⦆.
- I ⦃20:00⦄ 〚✰✰✰〛, II ⦃9:14⦄, III ⦃4:21⦄, IV ⦃7:56⦄.
- D.899. Impromptus (Op.90) 〚✰✰✰+〛
- 1 ⦅Cm⦆ ⦃9:06⦄, 2 ⦅E♭M⦆ ⦃4:50⦄ (etude) 〚✰✰✰✰〛, 3 ⦅G♭M⦆ ⦃6:20⦄ (nocturn) 〚✰✰✰✰〛, 4 ⦅A♭M⦆ ⦃8:02⦄
- D.915. Allegretto ⦅Cm⦆, ⦃4:19⦄
- D.935. Impromptus (Op.post. 142) 〚✰✰✰+〛
- 1 ⦅Fm⦆ ⦃11:14⦄, 2 ⦅A♭M⦆ ⦃7:43⦄, 3 ⦅B♭M⦆ ⦃11:28⦄, 4 ⦅Fm⦆ ⦃5:57⦄
- D.940. Fantasia for piano duet (Op.103) ⦅Fm⦆ ⦃19:18⦄ 〚✰✰✰✰〛
- D.958. Piano Sonata ⦅Cm⦆.〚✰✰✰〛
- I ⦃10:16⦄, II ⦃8:05⦄ , III ⦃3:12⦄, IV ⦃9:05⦄.
- D.959. Piano Sonata in A.〚✰✰✰〛
- I ⦃11:40⦄, II ⦃7:48⦄ Andantino 〚✰✰✰✰〛, III ⦃4:35⦄, IV ⦃12:54⦄.
- D.810. String Quartet (Death and the maiden) 〚✰✰✰〛
- I ⦃11:30⦄, II ⦃14:00⦄ , III ⦃3:30⦄, IV ⦃9:00⦄.
- Sonata ⦅B♭M⦆
- 18--?---- E. Bernstein
- The Magnificent Seven (⦃5:29⦄)
- 1804‒1849 Johann Strauss, Sr.
- 1809‒1847 Felix Mendelssohn
- Op.19, Songs Without Words 〚✰✰?〛
- Op.30 〚✰✰✰?〛
- Op.38 ?
- Op.53 ?
- Wedding March from “Overtures to A Midsummer Night's Dream” ?
mawkish Chopin
- 1810‒1849 Frederic Chopin
- Etudes
- Op.10, twelve studies (1833)
- 1, ⦅CM⦆ 〚✰✰✰✰✰〛 ♪
- 2, ⦅Am⦆ 〚✰✰✰〛 ♪
- 3, ⦅EM⦆ 〚✰✰✰〛 ♪
- 4, ⦅C♯m⦆ 〚✰✰✰✰✰〛 ♪
- 5, ⦅G♭M⦆ (black key) 〚✰✰✰✰〛 ♪
- 6, ⦅E♭m⦆ 〚✰✰✰-〛 ♪
- 7, ⦅CM⦆ 〚✰✰✰〛 ♪
- 8, ⦅FM⦆ 〚✰✰✰✰✰〛 ♪
- 9, ⦅Fm⦆ 〚✰✰✰〛 ♪
- 10, ⦅A♭M⦆ 〚✰✰✰〛 ♪
- 11, ⦅E♭M⦆ 〚✰✰✰✰〛 ♪
- 12, ⦅Cm⦆ (Revolutionary) 〚✰✰✰✰〛 ♪
- Op.25, twelve studies (1837)
- 1, ⦅A♭M⦆ 〚✰✰✰✰〛 ♪
- 2, ⦅Fm⦆ 〚✰✰✰〛 ♪
- 3, ⦅FM⦆ 〚✰✰✰✰〛 ♪
- 4, ⦅Am⦆ 〚✰✰✰✰〛 ♪
- 5, ⦅Em⦆ 〚✰✰✰〛 ♪
- 6, ⦅G♯m⦆ 〚✰✰✰✰〛 ♪
- 7, ⦅C♯m⦆ 〚✰✰✰-〛 ♪
- 8, ⦅D♭M⦆ 〚✰✰✰✰〛 ♪
- 9, ⦅G♭M⦆ (butterfly) 〚✰✰✰✰〛 ♪
- 10, ⦅Bm⦆ 〚✰✰✰✰〛 ♪
- 11, ⦅Am⦆ (winter wind) 〚✰✰✰✰〛 ♪
- 12, ⦅Cm⦆ 〚✰✰✰✰〛 ♪
- Three New Studies
- 1, ⦅Fm⦆ 〚✰✰✰〛 ♪
- 2, ⦅D♭M⦆ 〚✰✰✰〛
- 3, ⦅A♭M⦆ 〚✰✰✰〛 ♪
- Nocturnes 〚✰✰✰〛
- Op.9: ⦅B♭m⦆ ⦃5:01⦄ 〚✰✰✰✰〛 ♪, E♭ ⦃3:45⦄+ ♪, ⦅BM⦆ ⦃5:46⦄ ♪
- Op.15: ⦅FM⦆ ⦃4:26⦄+ ♪, ⦅F♯M⦆ ⦃3:34⦄ ♪, ⦅Gm⦆ ⦃3:27⦄ ♪
- Op.27: ⦅C♯m⦆ ⦃6:53⦄+ ♪, D♭ ⦃5:44⦄ ♪
- Op.32: ⦅BM⦆ ⦃4:27⦄ ♪, ⦅A♭M⦆ ⦃5:04⦄ ♪
- Op.37: ⦅Gm⦆ ⦃5:14⦄ ♪, ⦅GM⦆ ⦃5:14⦄ ♪
- Op.48: ⦅Cm⦆ ⦃6:00⦄ 〚✰✰✰✰✰〛 ♪, ⦅F♯m⦆ ⦃6:06⦄ 〚✰✰✰✰〛 ♪
- Op.55: ⦅Fm⦆ ⦃4:27⦄ ♪, ⦅E♭M⦆ ⦃4:56⦄ ♪
- Op.62: ⦅BM⦆ ⦃6:04⦄ ♪, ⦅EM⦆ ⦃5:09⦄ ♪
- Op.72: Posth. ⦅Em⦆ ⦃4:15⦄ 〚✰✰✰✰〛. ♪
- Op.Posth. ⦅C♯m⦆ (1830) ⦃4:03⦄, ⦅Cm⦆ (1837) ⦃3:00⦄.
- Polonaise
- ⦅Gm⦆, Op.posth., ⦃3:35⦄
- ⦅B♭M⦆, Op.posth., ⦃3:37⦄
- ⦅A♭M⦆, Op.posth., ⦃4:57⦄
- ⦅G♯m⦆, Op.posth., ⦃6:49⦄
- ⦅B♭m⦆, Op.posth., ⦃4:42⦄
- ⦅G♭M⦆, Op.⦃7:01⦄
- ⦅Dm⦆, Op.71№1., ⦃5:59⦄
- ⦅B♭M⦆, Op.71№2, ⦃7:28⦄
- ⦅Fm⦆, Op.71№3, ⦃9:09⦄
- ⦅C♯m⦆, Op.26№1, ⦃8:06⦄
- ⦅E♭m⦆, Op.26№2 (Siberian), ⦃7:43⦄ 〚✰✰?〛
- ⦅AM⦆, Op.40№1 (military), ⦃3:42⦄ 〚✰✰✰✰〛
- ⦅Cm⦆, Op.40№2, ⦃8:26⦄ 〚✰✰✰✰〛
- ⦅F♯m⦆, Op.44, ⦃10:33⦄ 〚✰✰✰✰〛
- ⦅A♭M⦆, Op.53 (heroic), ⦃6:52⦄
- ⦅A♭M⦆, Op.64, (Polonaise-Fantaisie), ⦃14:15⦄.
- Op.22: Andante Spianato and Grande Polonaise, ⦃13:40⦄ 〚✰✰✰✰〛
- Op.28 (24 preludes)
- 8F♯m〚✰✰✰〛, 9EM〚✰✰✰〛, 12G♯m〚✰✰✰〛, 15DbM〚✰✰✰+〛, 19EbM〚✰✰✰〛, 16Bbm〚✰✰✰✰✰〛, 24Dm〚✰✰✰✰〛
- Mazurkas
- Op.6
- 1 ⦅F♯m⦆ ⦃3:12⦄ 〚✰✰〛, 2 ⦅C♯m⦆ ⦃2:22⦄ 〚✰✰〛, 3 ⦅EM⦆ ⦃1:54⦄ 〚✰✰〛, 4 ⦅E♭m⦆ ⦃0:44⦄ 〚✰✰〛, 5 ⦅CM⦆ ⦃0:41⦄ 〚✰✰〛
- Op.7
- 1 ⦅B♭M⦆ ⦃2:17⦄ 〚✰✰〛, 2 ⦅Am⦆ ⦃3:23⦄ 〚✰✰〛, 3 ⦅Fm⦆ ⦃2:34⦄, 4 ⦅A♭M⦆ ⦃1:09⦄
- Op.17
- 1 ⦅B♭M⦆ ⦃1:54⦄ , 2 ⦅Em⦆ ⦃1:50⦄, 3 ⦅A♭M⦆ ⦃4:36⦄, 4 ⦅Am⦆ ⦃3:48⦄
- Op.24
- 1 ⦅Gm⦆ ⦃2:58⦄ , 2 ⦅CM⦆ ⦃2:15⦄ 〚✰✰〛, 3 ⦅A♭M⦆ ⦃2:16⦄, 4 ⦅B♭m⦆ ⦃5:03⦄
- Op.30
- 1 ⦅Cm⦆ 〚✰〛, 2 ⦅Bm⦆ 〚✰✰〛, 3 ⦅D♭M⦆ 〚✰✰✰〛, 4 ⦅C♯m⦆ 〚✰✰〛
- Op.33
- 1 ⦅G♯m⦆ 〚✰?〛, 2 ⦅CM⦆ 〚✰?〛, 3 ⦅DM⦆ 〚✰✰✰〛, 4 ⦅Bm⦆ 〚✰✰✰〛
- Op.50
- 1 ⦅GM⦆ ⦃2:33⦄, 2 ⦅A♭M⦆ ⦃3:52⦄, 3 ⦅C♯m⦆ ⦃5:10⦄
- Op.56
- 1 ⦅BM⦆ ⦃4:29⦄, 2 ⦅CM⦆ ⦃1:26⦄, 3 ⦅Cm⦆ ⦃6:06⦄
- Op.59
- 1 ⦅Am⦆ ⦃3:51⦄, 2 ⦅A♭M⦆ ⦃2:48⦄, 3 ⦅F♯m⦆ ⦃3:30⦄
- Op.63
- 1 ⦅BM⦆ ⦃2:13⦄, 2 ⦅Fm⦆ ⦃1:41⦄, 3 ⦅C♯m⦆ ⦃2:10⦄
- Am “à Gaillard” ⦃3:10⦄, ⦅Am⦆ “Notre Temps” ⦃3:21⦄
- Posthumous:
- Op.64, Waltzs
- №1 ⦅D♭M⦆ 〚✰✰✰✰〛, №2 ⦅C♯m⦆ 〚✰✰✰〛, №3 ⦅A♭M⦆ 〚✰✰✰〛
- Op.26, №1
- Ballade ⦅A♭M⦆, Op.47, №3 〚✰✰✰✰✰〛
- Largo ⦅E♭M⦆ 〚✰✰✰✰〛
- Sonata №2 ⦅B♭m⦆, Op.35, movement 3, funeral march 〚✰✰✰✰〛
- Piano Concerto №2 ⦅FM⦆, Op.21,
- I Maestoso ⦃15:00⦄.,
- II Larghetto ⦃10:00⦄.,
- III Allegro Vivace ⦃9:00⦄. 〚✰✰✰✰〛
- Fantasy on Polish Folksongs (concerto), ⦅AM⦆, Op.13, ⦃14:00⦄. 〚✰✰✰〛
- Krakowiak: Concerto Rondo ⦅FM⦆, Op.14. ⦃14:00⦄. 〚✰✰✰〛
- Grande valse brillante ⦅FM⦆, Op.34, №3 〚✰✰✰〛
- Prelude ⦅C♯m⦆, Op.45 〚✰✰✰〛
- Barcarolle ⦅F♯M⦆, Op.60 〚✰✰〛
- Scherzo №2 ⦅B♭m⦆, Op.31 〚✰✰〛
- Scherzo №3, Op.39 〚✰〛
botched Schumann
- 1810‒1856 Robert Schumann
- Sonata №1 ⦅F♯m⦆, Op.11 〚✰✰✰✰〛
- Carnaval Jest from Vienna (Faschingsschwank aus Wien), Op.26 〚✰✰〛
- 1, ⦃8:56⦄ 〚✰✰✰〛
- 2, ⦃2:13⦄
- 3, ⦃2:14⦄
- 4, ⦃2:18⦄
- 5, ⦃4:15⦄
- Fantasiestücke, Op.12
- 1, Des Abends, ⦃3:46⦄ 〚✰✰✰✰〛
- 2, Aufschwung, ⦃3:13⦄ 〚✰✰✰〛
- 3, Warum, ⦃2:22⦄ 〚✰✰✰〛
- 4, Grillen, ⦃3:10⦄ 〚✰✰✰〛
- 5, In der Nacht, ⦃4:06⦄ 〚✰✰✰〛
- 6, Fabel, ⦃2:55⦄ 〚✰✰〛
- 7, Traumes-Wirren, ⦃2:35⦄ 〚✰✰✰?〛
- 8, Ende vom Lied, ⦃5:35⦄ 〚✰✰✰✰〛
- Fantasia in C, Op.17
- 1, ⦃12:09⦄ 〚✰✰✰✰-〛
- 2, ⦃7:50⦄ 〚✰✰✰+〛
- 3, ⦃10:08⦄ 〚✰✰✰〛
- Kinderszenen (scenes from childhood), Op.15 〚✰✰〛
- Von fremden Ländern und Menschen (foreign lands and people)
- Kuriose Geschichte (a curious story) 〚✰✰〛
- Hasche-Mann (catch-me-if-you-can) 〚✰✰✰〛
- Bittendes Kind (entreating child)
- Glückes genug (perfect happiness)
- Wichtige Begebenheit (an important event) 〚✰✰✰✰〛
- Träumerei (dreaming) 〚✰✰✰✰〛
- Am Kamin (by the fireside) 〚✰〛
- Ritter vom Steckenpferd (Knight of the hobby-horse) 〚✰✰✰〛
- Fast zu ernst (almost too serious),Fürchtenmachen (frightening) 〚✰〛
- Kind im Einschlummern (child falling asleep) 〚✰✰✰〛
- Der Dichter spricht (the poet speaks) *
- Waldszene (forest scenes), Op.82 ?
- Arabeske, (⦃6:00⦄) Op.18 〚✰〛
…
- 1825‒1899 Johann Strauss Jr.
- The Beautiful Blue Danube 〚✰✰✰〛
- 1829‒1869 Louis Moreau Gottschalk
- Deuxième Banjo, Op.82. 〚✰✰✰〛
- Manchega (Etude de Concert) 〚✰✰✰〛
- La Savane (Ballade Creole) 〚✰✰✰✰〛
- Union, (Paraphrase de Concert) 〚✰✰✰〛
- Star Spangled Banner
- Yankee Doodle
- Hail Columbia
- 1833‒1897 Johannes Brahms
- Op.4, 1 Scherzo ?
- Op.5, Sonata №3, ⦅Fm⦆. 〚✰✰〛
- I ⦃10:12⦄, II ⦃10:04⦄ 〚✰✰✰〛, III ⦃4:58⦄, IV ⦃3:41⦄, V Finale: Fugue ⦃7:34⦄.
- Op.10, 4 ballades 〚✰✰✰✰-〛
- №1 ⦅Dm⦆
- №2 ⦅DM⦆
- №3 ⦅Bm⦆
- №4 ⦅BM⦆, ⦃7:55⦄
- Op.24 Variations and Fugue on a Theme of Handel. ⦃27:00⦄.〚✰✰✰✰〛
- Theme (aria) and Variations 1-25, Fugue, ⦃4:52⦄
- Op.34, Quintet ⦅Fm⦆
- №1, ⦃15:00⦄ 〚✰✰✰〛
- №2, ⦃9:54⦄
- №3, ⦃7:10⦄
- №4, ⦃10:36⦄
- Op.39, 16 Waltzes 〚✰✰〛
- Op.76, 8 Piano Pieces ?
- Op.79, 2 Rhapsodies 〚✰✰✰✰-〛
- Op.116.
- №3, Capriccio ⦅Gm⦆, ⦃2:53⦄ 〚✰✰✰〛
- №4, Intermezzo ⦅EM⦆, ⦃4:55⦄ 〚✰✰✰-〛
- №7, Capriccio ⦅Dm⦆, ⦃2:08⦄ 〚✰✰✰-〛
- Op.118, Klavierstücke (Piano) 〚✰✰✰?〛
- 1, ⦅Am⦆, ⦃1:52⦄
- 2, ⦅AM⦆, ⦃5:53⦄
- 3, ⦅Gm⦆, ⦃3:25⦄
- 4, ⦅Fm⦆, ⦃2:29⦄
- 5, ⦅FM⦆, ⦃3:55⦄
- 6, ⦅E♭m⦆, ⦃4:56⦄.
- Piano Concerto №2. ⦃50:00⦄. 〚✰✰✰?〛
- 1835‒1921 Camille Saint-Saëns
- Piano Concerto
- №1, ⦅DM⦆, Op17, ⦃30:00⦄. 〚✰✰✰✰〛
- №2, ⦅Gm⦆, Op.22, ⦃22:00⦄. 〚✰✰✰✰〛
- №3, ⦅E♭M⦆, Op.29, ⦃30:00⦄. 〚✰✰✰✰?〛
- №4, ⦅Cm⦆, Op.44, ⦃27:00⦄. 〚✰✰✰✰〛
- №5, ⦅FM⦆, Op.103, ⦃30:00⦄. 〚✰✰✰✰?〛
- 1838‒1875 Georges Bizet
- L'Escarpolette, ⦃2:00⦄ 〚✰✰✰✰〛
- La Touple, ⦃0:56⦄ 〚✰✰✰〛
- Children's Games (Jeux D'Enfant) 〚✰✰✰〛
- “Farandole” from Carmen., ⦃3:28⦄
- 1839‒1881 Modest Petrovich Mussorgsky
- The Great Gate of Kiev (Pictures at an Exhibition) 〚✰✰✰✰〛
- 1840‒1893 Peter Ilich Tchaikovsky
- 1844‒1937 Charles Marie Jean-Albert Widor
- Symphony №5, Op.42 V: Toccata (Allegro) (1977) (organ) 〚✰✰✰✰〛
- 1850‒1924 Xaver Scharwenka
- Four Polish Dances, Op.58.〚✰✰〛
- I, ⦃5:45⦄
- II, ⦃6:16⦄
- III, ⦃3:47⦄
- IV, ⦃5:41⦄ 〚✰✰✰〛
- Scherzo in G, Op.4, ⦃5:24⦄
- Barcarolle ⦅Em⦆, Op.14, ⦃7:05⦄
- Two Pieces Op.22
- Novellette, ⦃4:17⦄
- Melodie, ⦃4:47⦄
- Theme and Variation Op.48, ⦃20:00⦄. 〚✰✰✰〛
- 1852‒1925 Wihelm Posse
- Etude de Concert
- №1 〚✰✰✰〛
- №2 〚✰✰✰〛
- №3 〚✰✰✰✰〛
- №4 〚✰✰✰〛
- №7 〚✰✰✰〛
- №8 〚✰✰✰〛
- 1854‒1932 John Philip Sousa The March king
- The Stars and Stripes Forever ?
- 1858‒1924 Giacomo Puccini From the Puccini Album: Arias for Piano, arranged by John Bayless
- 1, Prelude, ⦃2:41⦄ 〚✰✰✰✰〛
- xNotes:La Bohème (1896)
- 2, How cold your little hand is!, ⦃4:56⦄ 〚✰✰✰✰〛
- 3, Yes. They call me Mimi., ⦃4:42⦄. 〚✰✰✰✰〛
- 4, Oh, sweet maiden!, ⦃3:49⦄ 〚✰✰✰✰〛
- 5, Musetta's Waltz, ⦃5:01⦄ 〚✰✰✰✰〛
- 6, Have they gone?, ⦃4:12⦄ 〚✰✰✰✰〛
- Turandot
- 7, Don't cry, Liù!, ⦃4:35⦄ 〚✰✰✰✰〛
- xNotes:Gianni Schicchi
- 8, Oh, my dear daddy., ⦃4:46⦄ 〚✰✰✰✰〛
- xNotes:La Rondine
- Doretta's Song
- xNotes:Madama Butterfly (1904)
- 9, One fine day, ⦃4:40⦄ 〚✰✰✰✰〛
- 10, Blossom Duet, ⦃5:37⦄ 〚✰✰✰✰〛
- 11, Humming Chorus, ⦃4:28⦄ 〚✰✰✰✰〛
- 12, You, you little God!, ⦃6:35⦄ 〚✰✰✰✰〛
- xNotes:Turantdot
- 13, Lord, listen!, ⦃4:00⦄ 〚✰✰✰✰〛
- xNotes:Tosca (1900)
- 14, And the stars were shining…, ⦃3:48⦄ 〚✰✰✰✰〛
- xNotes:Turandot
- 15, No man shall sleep!, ⦃5:19⦄ 〚✰✰✰✰〛
- 16, In this Palace, ⦃6:59⦄ 〚✰✰✰✰〛
- 17, Postlude, ⦃2:09⦄. 〚✰✰✰✰〛
- 1860‒1941 Ignace Jan Paderewski
- 1862‒1918 Claude Debussy stupid impressionist, notable works include two books of not-too-pleasing preludes
- Clair de lune, ⦃4:54⦄
- Arabesque №1 ⦅EM⦆, ⦃4:32⦄.
- 1868‒1917 Scott Joplin.
- A Breeze from Alabama 〚✰✰✰✰〛
- Maple Leaf Rag 〚✰✰✰〛
- The Entertainer 〚✰✰✰〛,
- Original Rags 〚✰✰?〛
- Swipesy 〚✰✰?〛
- Peacherine Rag 〚✰✰?〛
- The Easy Winners 〚✰✰?〛
- Sunflower Slow Drag 〚✰✰?〛
- Elite Syncopations 〚✰✰?〛
- The Strenuous Life 〚✰✰?〛
- Palm Leaf Rag 〚✰〛
- Something Doing 〚✰✰?〛
- Weeping Willow 〚✰✰?〛
- The Chrysanthemum 〚✰✰?〛
- The Cascades 〚✰✰?〛
- The Sycamore 〚✰✰?〛
- 1872‒1915 Aleksandr N. Scriabin Russian impressionist, religious, and mystical…
- Nocturne for the left hand alone ⦅D♭M⦆, Op.9,№2, ⦃5:11⦄.
- Etude Op 8, No 12 〚✰✰✰〛
- prelude Op 11, No 6 〚✰✰✰〛
- 1873‒1943 Sergei Vasilievich Rachmaninov
- No 2 ⦅C♯m⦆, Op.3 〚✰✰〛
- Etude-tableaux, Op.39 〚✰✰✰〛
- №6 ⦅Am⦆ Allegro, ⦃2:46⦄
- №9 ⦅DM⦆ Allegro moderato, ⦃3:40⦄
- Etude-tableaux, Op.33 〚✰✰✰〛
- Moments Musicaus, Op.16
- 1, ⦃8:47⦄
- 2, ⦃3:15⦄ 〚✰✰✰〛
- 3, ⦃6:15⦄
- 4, ⦃3:00⦄ 〚✰✰✰✰〛
- 5, ⦃4:50⦄
- ⦃6:25⦄ 〚✰✰✰✰〛
- Preludes
- 10 Preludes, Op.23.
- 13 Preludes, Op.32
- Piano Sonata №2 ⦅B♭m⦆, Op.36.
- Piano Concertos
- Op.30, ⦅Dm⦆
- I, ⦃13:57⦄
- II, ⦃9:55⦄
- III, ⦃13:29⦄
- Op.40, ⦅Gm⦆
- I, ⦃9:21⦄
- II, ⦃6:23⦄
- III, ⦃8:51⦄
- Prelude ⦅C♯m⦆ *
- Variations on a theme of Corelli, Op.42, ⦃19:00⦄.
- Rhapsody on a theme by Paganini op.43. (⦃23:00⦄.) 〚✰✰✰✰〛
- Melody ⦅EM⦆, Op.3, №3, ⦃4:52⦄
- Pachelbel Johann
- 1874‒1951 Arnold Schoenberg strickly twelve-tone, non-tonal, composes very stupid nonsense music that include:
- Op.11 Three Piano Pieces
- Op.19 Six Little Piano Pieces
- Op.23 Five Piano Pieces
- Op.25 Suite for Piano
- Op.33a/b Piano Piece
- 1875‒1937 Maurice Ravel
- Boléro (for 2 pianos) 〚✰✰✰✰〛
- Ma Mére L'oye-5 pieces enfantines 〚✰✰✰〛
- La Valse 〚✰✰✰✰〛
- Pavane for a dead infant 〚✰✰?〛
- Le Tombeau de Couperin (a suite) 〚✰✰?〛
- Valses nobles et sentimentales 〚✰✰?〛
- 19??‒???? Danny Wright new age style. work inlcude alblums Autumn Dreams, Shadow.
- Anne's Triumph 〚✰✰✰〛
- Shell Island 〚✰✰✰〛
- 19??‒???? Albinoni
- Adagio (1978?) (trumpet and organ. Sad) 〚✰✰✰✰〛
- 19??‒???? George Winston new age style, work inlcude alblums December, Autumn.
- December: Thanksgiving 〚✰✰✰〛
- December: Prelude (inspired by Vince Guaraldi) 〚✰✰✰〛
- December: Carol of the Bells (A 19th c. Ukrainian carol) 〚✰✰✰✰〛
- Autumn: Road 〚✰✰✰✰〛
- 1916‒???? Milton Babbitt twelve tone, mathematician
- Three Composition for Piano (complete serial music) ?
- Composition for four instruments ?
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